Le rose, le bleu

Physical rehabilitation has become a significant area in Edgar Ulises' life because of the fracture he has in his left humerus, the product of a period of chronic stress. Thus, exercise became a necessity for him, although all his experiences with sports during his childhood were fraught with bullying due to his effeminate behavior. This accident forces him to ask himself: if he had been a heterosexual man, would he have had a good relationship with sports? He asks himself this question in Paris, where he is studying for a master's degree in filmmaking, and, from the solitude of his room and with no production budget, decides to contact Club Muxes, the only LGBTQTQ+ soccer team in Mexico, his country of origin. The conversation takes place over the phone, and the images we see are sent by the club's communications department.

Director: Edgar Spural