Temps contre temps
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The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
Director: Robert Cahen
